A Companion to Islamic Art and Architecture (Blackwell Companions to Art History)

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A Companion to Islamic Art and Architecture (Blackwell Companions to Art History)

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Rating : 4.33 (904 Votes)
Asin : 1119068665
Format Type : paperback
Number of Pages : 1448 Pages
Publish Date : 2015-09-23
Language : English

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The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field.This two-volume Companion showcases more than 50  specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeurEssays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year spanThe Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the

The combined volumes showcase more than 50 newly commissioned essays that bridge the gap between the summary treatment of the traditional survey and the specialized monograph. The first volume begins with a general introduction co-authored by the editors, which outlines relevant concepts, approaches, and historiographies, providing a framework within which to understand the structure and contents of both volumes. Each volume is organized under a broad chronological rubric: Islamic art before and after the Mongol sack of Baghdad in 1258, an event widely accepted as a watershed, with thematic essays grouped under further chronological subdivisions. . In addition to a map of major sites included in volume I, each of the subsections is accompanied by a brief outline of the main cultural and historical developments during the period in question. From the Back Cover The two-volume Companion

His books include The Great Mosque of Damascus: Studies on the Makings of an Umayyad Visual Culture (2000), and Objects of Translation: Material Culture and Medieval "Hindu-Muslim" Encounter, (2009), awarded the 2011 Ananda K. Coomaraswamy Prize of the Association for Asian Studies. Finbarr Barry Flood is William R. Professor of the Humanities at the Institute of Fine Arts and Department of Art History, New York University. Her books