Walt Disney Imagineering: A Behind the Dreams Look At Making the Magic Real (A Walt Disney Imagineering Book)
Author | : | |
Rating | : | 4.68 (801 Votes) |
Asin | : | 0786883723 |
Format Type | : | paperback |
Number of Pages | : | 200 Pages |
Publish Date | : | 2016-03-29 |
Language | : | English |
DESCRIPTION:
RoboGriffey said Amazing. Will hold your attention for years. A coffee table book that you want to fully read, cover to cover. It goes into so much about Disney's concept of "Imagineering". Combining their Hollywood skills with Engineering know how to create their amazing parks and attractions. The level of detail in the book is a. Must have THOMAS A ROGERS I am an avid collector of Disney art books, and an art school graduate. Of all the books I have, this one should be a mandatory addition in the library of any art student or creative person. It is a heavy hardcover book with plenty of fold out pages. The details of this. The best gift I've ever given My nephew is majoring in engineering and hopes to one day become an Imagineer. Last summer we were lucky enough to attend lunch with an Imagineer, and she told us so many wonderful "behind the scenes" stories. This book is like that lunch, only longer and illustrated. I
Full-color photos.. Here is an explanation, in colorful detail, of the making of the magic of Walt Disney World, Disneyland, Disneyland Paris, and Tokyo Disneyland
Potts. But that is a minor quibble in what for the most part is a fascinating before-the-curtain-rises look at the Disney theme parks. . From Library Journal Both of these heavily illustrated books look at two less celebrated sections of the Disney empire, and the rare artwork that both contain is their strongest asset. Both books are highly recommended for academic and larger public libraries.?Marianne Cawley, Enoch Pratt Free Lib., BaltimoreCopyright 1996 Reed Business Information, Inc. Canemaker's book is on the people who created preliminary sketches "that explore the visual possibilities in a literary property." These possibilities for any proposed cartoon include the visual style of the film, how the characters will look, the way a major scene could be portrayed, and so on. Canemaker primarily concentrates on the feature-length cartoons, and he gives special attention to Fantasia. Even with the aid of copious illustrations?never-before-seen artwork from the I