Color and Mastering for Digital Cinema (Digital Cinema Industry Handbook Series)
| Author | : | |
| Rating | : | 4.57 (895 Votes) |
| Asin | : | 0240808746 |
| Format Type | : | paperback |
| Number of Pages | : | 202 Pages |
| Publish Date | : | 2017-11-15 |
| Language | : | English |
DESCRIPTION:
The rationale for choosing XYZ and the other color encoding parameters is explained and the book also provides a full case study of the development of DLP Cinema® projectors by Texas Instruments. While a new concept to the motion picture community, the selection of the wide gamut, output-referred XYZ color space for digital cinema distribution is based on decades of color science and experience in other industries. Previously, in a twenty year career with Kodak, he led the development of the Cineon digital film scann
Five Stars Byungseok Min Perfect book to understand how the digitail cinema oriented. K. Munro said Good read in the most part. This book is an interesting mix of quite technically (and mathematically) detailed chapters and lighter, more readable text. Certainly not a good choice for anyone totally new to color theory or digital cinema but a very concise account of the current state of the industry with some very interesting historical perspective.Concise is a very good word to describe this text. By textbook standards it is short - . D. Frkovic said Mostly out of date. This edition was published seven years ago. Much has changed in the digital cinema mastering world since then, and this book is considerably out of date.
"As digital intermediates become increasingly prevalent and a greater number of theaters convert to digital projection, an understanding of the concepts the author explores is pivotal for filmmakers at all stages of the postproduction workflow. The clarity of Kennel's writing and his broad approach make Color and Mastering for a Digital Cinema a fine overview of the subject." -Jim Hemphill, American Cinematographer Magazine