The Rape of Europa: The Fate of Europe's Treasures in the Third Reich and the Second World War
| Author | : | |
| Rating | : | 4.60 (825 Votes) |
| Asin | : | 0679756868 |
| Format Type | : | paperback |
| Number of Pages | : | 512 Pages |
| Publish Date | : | 2018-02-16 |
| Language | : | English |
DESCRIPTION:
the definitivie work RexD The release of the movie “The Monuments Men” is stimulating interest in the topic of art looted during World War II and the efforts made since to restore that art to its rightful owners. Anyone who becomes interested in this subject should read “The Rape of Europa” by Lynn Nicholas. This work was described by Dr. Mason Hammond, one of the original monuments men, as “the definitive work on the subject.” It provided the basis from which this movie was made, a. JAF in Ohio said Systematic Dismantling of Great Art and a Side of War Not Usually Discussed But Should Be. UPDATE (July "Systematic Dismantling of Great Art and a Side of War Not Usually Discussed But Should Be" according to JAF in Ohio. UPDATE (July 20, 2016): I ended up putting down this book about 1/Systematic Dismantling of Great Art and a Side of War Not Usually Discussed But Should Be UPDATE (July 20, 2016): I ended up putting down this book about 1/3 of the way through in exasperation because it just became this muddled mess. You practically need a flowchart to make all the connections which the author hops forward and backwards to and I reverted to making note cards to remember all the key players involved. The subject matter is fascinating but despite wanting to learn more about art theft during WWII, I found myself conducting so much marginalia that I myself was practi. of the way through in exasperation because it just became this muddled mess. You practically need a flowchart to make all the connections which the author hops forward and backwards to and I reverted to making note cards to remember all the key players involved. The subject matter is fascinating but despite wanting to learn more about art theft during WWII, I found myself conducting so much marginalia that I myself was practi. 0, "Systematic Dismantling of Great Art and a Side of War Not Usually Discussed But Should Be" according to JAF in Ohio. UPDATE (July 20, 2016): I ended up putting down this book about 1/Systematic Dismantling of Great Art and a Side of War Not Usually Discussed But Should Be UPDATE (July 20, 2016): I ended up putting down this book about 1/3 of the way through in exasperation because it just became this muddled mess. You practically need a flowchart to make all the connections which the author hops forward and backwards to and I reverted to making note cards to remember all the key players involved. The subject matter is fascinating but despite wanting to learn more about art theft during WWII, I found myself conducting so much marginalia that I myself was practi. of the way through in exasperation because it just became this muddled mess. You practically need a flowchart to make all the connections which the author hops forward and backwards to and I reverted to making note cards to remember all the key players involved. The subject matter is fascinating but despite wanting to learn more about art theft during WWII, I found myself conducting so much marginalia that I myself was practi. 016): I ended up putting down this book about 1/Systematic Dismantling of Great Art and a Side of War Not Usually Discussed But Should Be UPDATE (July 20, 2016): I ended up putting down this book about 1/3 of the way through in exasperation because it just became this muddled mess. You practically need a flowchart to make all the connections which the author hops forward and backwards to and I reverted to making note cards to remember all the key players involved. The subject matter is fascinating but despite wanting to learn more about art theft during WWII, I found myself conducting so much marginalia that I myself was practi. of the way through in exasperation because it just became this muddled mess. You practically need a flowchart to make all the connections which the author hops forward and backwards to and I reverted to making note cards to remember all the key players involved. The subject matter is fascinating but despite wanting to learn more about art theft during WWII, I found myself conducting so much marginalia that I myself was practi. "INVALUABLE historical masterpiece" according to teacher of kids. This book deserves the best review I can write! I found it after the Monuments Men movie was recommended and it is amazing. The level of research alone done for this work deserves an award and the content of it makes it a MUST for the well-rounded historical reader The theme is the intrigue and involvement of the treasures of Europe (artwork, statuary, books, letters, historical pieces, painting, poetry and prose) and the treachery with which men attempted to elevate their wealth and/or statu
Thousands of important pieces have never been recovered. Every few months you'll read a newspaper story of the discovery of some long-lost art treasure hidden away in a German basement or a Russian attic: a Cranach, a Holbein, even, not long ago, a da Vinci. Such treasures ended up far from the museums and churches in which they once hung, taken as war loot by Allied and Axis soldiers alike. Lynn Nicholas offers an astonishingly good account of the wholesale ravaging of European art during World War II, of how teams of international experts have worked to recover lost masterpieces in the war's aftermath and of how governments "are still negotiating the restitution of objects held by their respective nations."
Winner of the National Book Critics Circle AwardThe real story behind the major motion picture The Monuments Men. The cast of characters includes Hitler and Goering, Gertrude Stein and Marc Chagall--not to mention works by artists from Leonardo da Vinci to Pablo Picasso. And the story told in this superbly researched and suspenseful book is that of the Third Reich's war on European culture and the Allies' desperate effort to preserve it.From the Nazi purges of "Degenerate Art" and Goering's shopping sprees in occupied Paris to the perilous journey of the Mona Lisa